Well, if the compensation results in a more true intonation up and down the neck the reduction in disonance could potentially be heard as "sterile" if those minor disonances are perceived as "complexity". Their removal would make the sound more "sterile". To me its just the opposite. As intonation issues are removed the sound just gets bigger
I had a 12-string acoustic that got notably louder (and more rich) when it was perfectly in tune.